Disclaimer: this is going to be long.
Don't let the image of a Koala getting punched in the face fool you, this post is actually pretty serious and depressing. How splendid.
I've written posts in the past detailing how over the past couple of years I've gone through varying levels of personal growth - building new perspectives, changing some of my old ways, and with the help of some key individuals, becoming a better person - or so I've been told.
I've always been the type to take things one day at a time, even going to the lengths of detailing how I hate five year plans before, and going slightly off the rails by leaving an open letter with a few harsh words to certain malefactors.
Despite all of my (few) personal advancements there still lingers personal demons, past experiences, mistakes, failures, and history, that at given moments continue to either haunt, or gnaw away at me to this day. After all, the past has a way of catching up with everyone, one way or another - and more often than not it comes about like a sobering dose of reality, often catching you off-guard; like a slap to the face. Sometimes quite literally.
Over the course of November and early December, I spent a considerable amount of time thinking, recollecting and reliving some of the darker portions of my past, notably for a project I presented and handed in for a course at University.
It was the first time I spoke openly on the subject, and the first time I had even discussed it at all, with anyone, in the five years following it. Pardon my being cryptic on the subject, but it's not a subject I like to even broach, let alone air out to the entire series of tubes.
Following the airing of my grievances, I got commended by many for being brave, or courageous for even sharing the experience, and for once in a long while it felt like a great weight had been lifted, at least partially, off of my shoulders. I had opened up on a part of my history which has obviously had a great impact and effect on me, but more importantly, that I had kept locked away, as unhealthy as I know that can be.
It felt good to finally have some room to breathe, and to think back on things in a less negative light - something that a few people helped me do. Of course, as with most everything, there's always a but.
I'm a big proponent of the simple theory that shit happens, and that the world is not without a sense of irony, in the dramatic sense, where the spectators are aware of things that the main players are not. So it's hard for me to understand why exactly, or even how it came to be that this week, I would find myself thrown into the direction of that metaphorical, and literal slap to the face.
After five years of keeping something locked away, I had finally let it off my chest, opened the flood gates so to speak, and despite my own personal anger behind it, gained a better measure of acceptance of it. So it's no wonder how baffled I am at how only a month later I would happen to bump into someone greatly familiar to the situation, who would give me a stark reminder of all the reasons, mostly negative, as to why I had not spoken of it for so long.
You would think that after five years, some individuals dispositions would change. That after all, time heals all wounds. But when I literally got slapped in the face, and berated in public earlier this past week, it just went to prove otherwise; that some things, and some people just don't change. And in this case, it might have been better to let sleeping dogs lie.
Needless to say, getting slapped in the face and told to die - in more or less words - is something that gets you thinking. And usually not about sunshine, rainbows and lollipops. So I'm hoping for a bit of a windfall of change to sweep through the next few weeks, and to hopefully put me on the up. Even though I already know that there's going to be some down moments to come in those next few weeks.
Back in August I said something that I almost nearly forgot I had said, that being:
Change is what I want. Change is what I need. And the time for it might as well be now. But those are just words and talk is cheap, so we'll just have to wait and see.
So far, for the most part, I'm still waiting. The disheartening part is how close I am to some truly big changes in my life, considering I'm on the fast track to graduating and moving forward with my life.
I've never really stressed much about school, I basically go with the flow, but I'm starting to feel the pressure to finish and to succeed from virtually everyone else. Pressure that's carrying over now not just in my academic life, but my potential future career, potential future everything.
Main problem is I don't see myself as being any further ahead as I was nearly six years ago when I graduated from high school. Who I want to be, where I want to go, what I want to become, are all questions I still don't have answers to, but it seems like everyone else is hinging on me figuring it all out as soon as possible - and that's undue stress that I really don't need right now.
Plus there's all the other little and big things that are constantly on my mind. Good times...
And that's all I have to say about that. - Forrest Gump
- J
Sunday, January 30, 2011
On the Radar: Here Comes the Djent, Part II
Yesterday I opened up a look at the world of Djent, and how the sound and technique itself opened up a wide realm of musical discovery for myself last year.
So it was a no brainer to do an On the Radar showcase of some of the upcoming releases for 2011 that I've either been tracking for a while, or had recently come across.
The number of groups and varying array of talent I wanted to put up on the Blaarg for this Djent installment of On the Radar was too heavy to throw into one post. It would have just been too damned long, so I decided to break it in two part. Here Comes the Djent, Part I opened up with the following group of Djentlemen: Nova, Volumes, Uneven Structure and Textures.
So here's a look Part II, and the other five groups that I planned to showcase. Each having their own distinct flavor, and all bringing something equal to the table, in the form of aural pleasure.
Periphery - Icarus Lives EP
Label: Sumerian
Genre: Progressive Metal
Release Date: April 19, 2011
About one year to the day that their debut self-titled album was released, Periphery will be releasing the Icarus Lives EP.
Periphery is the 6 piece Djenternaut from Maryland, featuring guitarist Misha Mansoor a.k.a Bulb, one of the most recognized figures in the current rising of the Djent circuit. But you can't take anything away from fretwork the of Jake Bowen, Alex Bois and Tom Murphy on bass, Matt Halpern's prowess behind the drum kit, and Spencer Sotelo up front on the vox.
The EP will feature the remixed version of Icarus Lives from the fan remix contest from this Fall, as well as two other remixes of the song. Also making an appearance on the EP will be the track Jetpacks Was Yes! v2.0, the addition of everyone's favorite intro, New Groove, and the tracks Captain On, Eureka and Frak the Gods, an old fan favorite which they've been playing live for the past few months.
Regardless of what Periphery would have decided to release on this upcoming release, I'm sure fans of the group would surely be pleased.
Elitist - TBA
Label: Unsigned
Genre: Metalcore / Progressive
Release Date: TBD, 2011
Elitist are a 5 piece outfit out of Los Angeles, California, fusing together elements of progressive metal, trademark metalcore riffs, breakdowns and blisteringly elegant guitar work.
In 2010, Elitist released their debut EP Caves, quickly catching the attention of a few friends of mine, and many a metalhead. Not many details about Elitist's debut full-length album have come forward, but the band has released a studio update video, and footage of the band rehearsing together in studio.
It's understandable to make comparisons between bands, when trying to give people an idea of what a group sounds like, however I hate it when people label bands as a clone of another band. I've seen and also heard comments from people claiming that Elitist is just a clone of August Burns Red. I'm not one to argue there are similarities, but every band is unique, each member brings something new to the table, and Elitist and ABR clearly have their differences.
While I'd never use the term clone, comparing one up and coming group to another extremely talented band, such as ABR, that were once up and comers themselves, is actually a great compliment - as far as I see it.
You can check out Elitist on their MySpace at: http://www.myspace.com/theelitistband.
Monuments - TBA
Label: Basick Records
Genre: Ambient / Progressive Metal
Release Date: TBD
Many fans of Monuments consider it to be the primary successor, at least in spirit, of Fellsilent.
Originally the spawn of former Fellsilent guitarist John Browne, and Josh Travis of TTDTE, Monuments now feature Browne alongside former Fellsilent vocalist Neema Askari, Mike Malyan on drums and Adam Swan on bass.
If the combo from Fellsilent wasn't enough to inspire oogling from fans of the genre, the fact that Paul Ortiz a.k.a Chimp Spanner often plays guitar with Monuments while on tour, should give you an idea of how talented this group is. And of course if you don't know Chimp Spanner, then you sure as shit need to check out his work, especially the album At the Dream's Edge.
Monuments released an EP in late 2010 entitled We Are the Foundation. While only comprising three tracks, all three tracks are technically beautiful, and show off the talents of the group as a whole. Monuments is currently tracking their debut full-length album, while also doing kickass things like touring with Periphery and Tesseract on the League of Extraordinary Djentlemen tour.
I say this a lot, but if you haven't heard of these guys or their music, be sure to check them out. You can do so by visiting their MySpace at: http://www.myspace.com/thisismonuments. The track Admit Defeat is a definite must listen.
TesseracT - One
Label: Century Media
Genre: Experimental / Progressive Metal
Release Date: March 22, 2011
The brainchild of former Fellsilent guitarist Acle Kahney, TesseracT is a five member squad out of Milton Keynes in the United Kingdom.
TesseracT has been one of the most popular groups in the djent community ever since their inception. Blending together incredible instrumental technique, rhythm, and melody, along with alternating clean vocals and screams from Dan Tompkins, TesseracT provides one the most enjoyable progressive metal experiences of recent memory.
Fans of the group were obviously disappointed when in 2010, news that their debut album One would once again be delayed, however when news broke out that they had signed with Century Media, fans had good reason to get excited again. Following that announcement, the band released their debut EP Concealing Fate which I've discussed previously on the Blaarg and in my top 10 for 2010 post, where I named it my favorite EP of 2010.
Concealing Fate serves as a great prelude to their debut album One, which will finally be coming on March 22nd - which is officially a Smorgasbord day in the Metalverse also featuring new releases by Born of Osiris and Protest the Hero.
If you don't know them yet, get acquainted, and fast. You can check out TesseracT on their website at: http://www.tesseractband.co.uk/.
Vildhjarta - Irreversible
Label: Unsigned
Genre: Ambidjent
Release Date: TBD, 2011
A seven member group out of Sweden, Vildhjarta have come to describe themselves, their style and their sound as being Ambidjent.
Vildhjarta utilizes a fusion of technicality and eloquence, featuring transitions between sections of abstract riffage, aggressive melodies, and ambiance that shifts between beautiful and dark at a moments notice.
Their debut album, entitled Irreversible has been, so far, something of a myth, as fans of the group have waited with bated breath to find out if the day will ever come when they can wrap their hands around a piece of this groups technical wizardry. Up until now we've had to do with the single pack Omnislash, released in 2009, a few sporadic releases and snippets.
Vildhjarta has been featured before on the Blaarg, in my first Djent oriented post from August entitled Forecast: A 90% Chance of Djent, the post which has actually received the most overall traffic (by a large margin) on the Blaarg to date, according to my stats - Nifty.
Regardless, rumors abound as to whether Irreversible will finally see the light of day in 2011. Personally, I fucking hope so, as it has been one of the albums I've been looking forward to for well over a year now.
You can check out Vildhjarta by visiting their MySpace at: http://www.myspace.com/vildhjarta. Omnislash, the single pack released in 2009 is also available free for download, and contains the tracks Shiver and Don't Fail Me Now (Lady Luck).
A little trip around the tubes and Youtube will also net you with a wealth of Vildhjarta's instrumental work, which is sure to please, if you haven't heard these guys prior to right now.
This concludes my outlook on what I have On the Radar in the Djent community for 2011. Here's to another great year in djent, and hopefully all of these releases will spank my ear drums this year, including those featured in Part I.
- J
So it was a no brainer to do an On the Radar showcase of some of the upcoming releases for 2011 that I've either been tracking for a while, or had recently come across.
The number of groups and varying array of talent I wanted to put up on the Blaarg for this Djent installment of On the Radar was too heavy to throw into one post. It would have just been too damned long, so I decided to break it in two part. Here Comes the Djent, Part I opened up with the following group of Djentlemen: Nova, Volumes, Uneven Structure and Textures.
So here's a look Part II, and the other five groups that I planned to showcase. Each having their own distinct flavor, and all bringing something equal to the table, in the form of aural pleasure.
Periphery - Icarus Lives EP
Label: Sumerian
Genre: Progressive Metal
Release Date: April 19, 2011
About one year to the day that their debut self-titled album was released, Periphery will be releasing the Icarus Lives EP.
Periphery is the 6 piece Djenternaut from Maryland, featuring guitarist Misha Mansoor a.k.a Bulb, one of the most recognized figures in the current rising of the Djent circuit. But you can't take anything away from fretwork the of Jake Bowen, Alex Bois and Tom Murphy on bass, Matt Halpern's prowess behind the drum kit, and Spencer Sotelo up front on the vox.
The EP will feature the remixed version of Icarus Lives from the fan remix contest from this Fall, as well as two other remixes of the song. Also making an appearance on the EP will be the track Jetpacks Was Yes! v2.0, the addition of everyone's favorite intro, New Groove, and the tracks Captain On, Eureka and Frak the Gods, an old fan favorite which they've been playing live for the past few months.
Regardless of what Periphery would have decided to release on this upcoming release, I'm sure fans of the group would surely be pleased.
Elitist - TBA
Label: Unsigned
Genre: Metalcore / Progressive
Release Date: TBD, 2011
Elitist are a 5 piece outfit out of Los Angeles, California, fusing together elements of progressive metal, trademark metalcore riffs, breakdowns and blisteringly elegant guitar work.
In 2010, Elitist released their debut EP Caves, quickly catching the attention of a few friends of mine, and many a metalhead. Not many details about Elitist's debut full-length album have come forward, but the band has released a studio update video, and footage of the band rehearsing together in studio.
It's understandable to make comparisons between bands, when trying to give people an idea of what a group sounds like, however I hate it when people label bands as a clone of another band. I've seen and also heard comments from people claiming that Elitist is just a clone of August Burns Red. I'm not one to argue there are similarities, but every band is unique, each member brings something new to the table, and Elitist and ABR clearly have their differences.
While I'd never use the term clone, comparing one up and coming group to another extremely talented band, such as ABR, that were once up and comers themselves, is actually a great compliment - as far as I see it.
You can check out Elitist on their MySpace at: http://www.myspace.com/theelitistband.
Monuments - TBA
Label: Basick Records
Genre: Ambient / Progressive Metal
Release Date: TBD
Many fans of Monuments consider it to be the primary successor, at least in spirit, of Fellsilent.
Originally the spawn of former Fellsilent guitarist John Browne, and Josh Travis of TTDTE, Monuments now feature Browne alongside former Fellsilent vocalist Neema Askari, Mike Malyan on drums and Adam Swan on bass.
If the combo from Fellsilent wasn't enough to inspire oogling from fans of the genre, the fact that Paul Ortiz a.k.a Chimp Spanner often plays guitar with Monuments while on tour, should give you an idea of how talented this group is. And of course if you don't know Chimp Spanner, then you sure as shit need to check out his work, especially the album At the Dream's Edge.
Monuments released an EP in late 2010 entitled We Are the Foundation. While only comprising three tracks, all three tracks are technically beautiful, and show off the talents of the group as a whole. Monuments is currently tracking their debut full-length album, while also doing kickass things like touring with Periphery and Tesseract on the League of Extraordinary Djentlemen tour.
I say this a lot, but if you haven't heard of these guys or their music, be sure to check them out. You can do so by visiting their MySpace at: http://www.myspace.com/thisismonuments. The track Admit Defeat is a definite must listen.
TesseracT - One
Label: Century Media
Genre: Experimental / Progressive Metal
Release Date: March 22, 2011
The brainchild of former Fellsilent guitarist Acle Kahney, TesseracT is a five member squad out of Milton Keynes in the United Kingdom.
TesseracT has been one of the most popular groups in the djent community ever since their inception. Blending together incredible instrumental technique, rhythm, and melody, along with alternating clean vocals and screams from Dan Tompkins, TesseracT provides one the most enjoyable progressive metal experiences of recent memory.
Fans of the group were obviously disappointed when in 2010, news that their debut album One would once again be delayed, however when news broke out that they had signed with Century Media, fans had good reason to get excited again. Following that announcement, the band released their debut EP Concealing Fate which I've discussed previously on the Blaarg and in my top 10 for 2010 post, where I named it my favorite EP of 2010.
Concealing Fate serves as a great prelude to their debut album One, which will finally be coming on March 22nd - which is officially a Smorgasbord day in the Metalverse also featuring new releases by Born of Osiris and Protest the Hero.
If you don't know them yet, get acquainted, and fast. You can check out TesseracT on their website at: http://www.tesseractband.co.uk/.
Vildhjarta - Irreversible
Label: Unsigned
Genre: Ambidjent
Release Date: TBD, 2011
A seven member group out of Sweden, Vildhjarta have come to describe themselves, their style and their sound as being Ambidjent.
Vildhjarta utilizes a fusion of technicality and eloquence, featuring transitions between sections of abstract riffage, aggressive melodies, and ambiance that shifts between beautiful and dark at a moments notice.
Their debut album, entitled Irreversible has been, so far, something of a myth, as fans of the group have waited with bated breath to find out if the day will ever come when they can wrap their hands around a piece of this groups technical wizardry. Up until now we've had to do with the single pack Omnislash, released in 2009, a few sporadic releases and snippets.
Vildhjarta has been featured before on the Blaarg, in my first Djent oriented post from August entitled Forecast: A 90% Chance of Djent, the post which has actually received the most overall traffic (by a large margin) on the Blaarg to date, according to my stats - Nifty.
Regardless, rumors abound as to whether Irreversible will finally see the light of day in 2011. Personally, I fucking hope so, as it has been one of the albums I've been looking forward to for well over a year now.
You can check out Vildhjarta by visiting their MySpace at: http://www.myspace.com/vildhjarta. Omnislash, the single pack released in 2009 is also available free for download, and contains the tracks Shiver and Don't Fail Me Now (Lady Luck).
A little trip around the tubes and Youtube will also net you with a wealth of Vildhjarta's instrumental work, which is sure to please, if you haven't heard these guys prior to right now.
This concludes my outlook on what I have On the Radar in the Djent community for 2011. Here's to another great year in djent, and hopefully all of these releases will spank my ear drums this year, including those featured in Part I.
- J
Wednesday, January 26, 2011
On the Radar: Here Comes the Djent, Part 1
In terms of musical discovery in 2010, there was one 'genre', or more like one onomatopoeia that seemed to dominate throughout much of the year.
While you've got those who'll argue that it can be classified as it's own sub-genre - amongst a plethora of existing sub-genres - others will say that it isn't.
It's all a matter of perspective, but one can easily argue that Djent is less about a being it's own standalone genre, but rather being a technical set piece that when used well, can incorporate itself into almost any type of metal (or otherwise!) with varying results.
Last year saw a lot of news and releases in the Djent circuit, including the release of Periphery's debut self-titled album, the release of TesseracT's Concealing Fate EP and many other masterpieces of Djentistry of which it would take way too long to list.
Fact of the matter is Djent is here, and it's picking up steam, with many scheduled (and hopeful) releases to come throughout the year. Some of which myself and many others have been anticipating for quite some time, and other nuggets sure to please.
Here's part one of the list of Djentlemen artists and releases that are currently On the Radar for 2011:
N O V A - Invert Theory
Label: Unsigned
Genre: Instrumental Progressive Metal
Release Date: TBD, 2011
A two-member instrumental project out of San Francisco, California, Nova is the spawn of Chazz McConnell (Sol Asunder), and Max Seeman, (Anomalous). Nova is yet another in a long list of interesting instrumental projects to pop out from the woodwork, so to speak. They've released a number of tracks which are available on their MySpace, Soundclick and Bandcamp pages.
The tracks Ley Lines, Temporal and Shard should provide you with a good idea of what you can expect from these guys on their future full-length release. Blending sounds that are both technically strong, mellow and at times, just plain funky.
Volumes - TBD
Label: Mediaskare Records
Genre: Groove Metal / Progressive
Release Date: Summer/Fall 2011
One of my favorite discoveries of 2010, Volumes is a six piece metal outfit out of Los Angeles, California. Grouping together musicians from a variety of backgrounds, they've created a sound which incorporates the intricacies of jazz fusion, the aggressiveness of straight to the core Metal, and everything in between, including the kitchen sink.
Their debut EP The Concept of Dreaming was my second favorite EP of 2010, behind only TesseracT's Concealing Fate, which should attest to how much I enjoy these guys musical capabilities. After finishing up a recent tour, they announced that they will be devoting their time to finishing the recording of their debut full-length album, with a targeted Mid-2011 release, and the simple demand that everyone should get appropriately stoked.
If you haven't yet, check them out, you can get an earful at their MySpace at: http://www.myspace.com/volumes.
Uneven Structure - Februus
Label: Unsigned
Genre: Ambient / Experimental Metal
Release Date: TBD, 2011
Uneven Structure are a six piece outfit with members playing out of France and Sweden. Their debut eight track EP, simply entitled 8, was released in late December 2009, and serves as a great introductory set piece to another very talented group fusing Progressive Metal, djenty goodness and Ambient sounds into a delightful brain massaging experience.
The best part is 8 is available free to downloaded via the groups official website (http://www.unevenstructure.net/), and all eight tracks are also available for streaming on their MySpace page. You'll also notice they uploaded a short preview of their upcoming full-length album Februus, which is definitely worthy of a listen, and will surely convert a few new followers to their cause.
Textures - TBD
Label: Nuclear Blast
Genre: Progressive / Technical Death Metal / Groove Metal
Release Date: Early 2011 (speculated)
Previous Releases: Polars (2003); Drawing Circles (2006); Silhouettes (2008)
Arguably, this group could have easily fit into my future Prog Metal focused post, or any other number of them, but they also just as deservedly fit into this bracket.
Formed in 2001, Textures is a six piece metal band hailing from the Netherlands, with a long history of blending elements of progressive, technical death metal, groove metal and metalcore in their own unique, intricate and complex style. They have a long history of success as a group, showcasing strong performances on all three of their previous full-length releases.
In 2010, longtime frontman Eric Kalsbeek announced that he was leaving the band for personal reasons, wanting to focus on his personal work and family. Because of this, Textures were forced to delay the recording and release of their next album until early 2011. In March 2010, Daniel de Jongh was announced as his replacement.
I was looking forward to Textures fourth release, originally scheduled for last year, but with Eric's leaving the group it obviously added an unfortunate hiccup. I'm still hopeful that the group will be able to push forward with another solid release and look toward the future, so needless to say, Textures next release is still very much on my radar - hopefully sooner than later.
Part II of On the Radar: Here Comes the Djent will be up in the following days and will focus on four of my most anticipated Djent-tastic releases of 2011.
- J
While you've got those who'll argue that it can be classified as it's own sub-genre - amongst a plethora of existing sub-genres - others will say that it isn't.
It's all a matter of perspective, but one can easily argue that Djent is less about a being it's own standalone genre, but rather being a technical set piece that when used well, can incorporate itself into almost any type of metal (or otherwise!) with varying results.
Last year saw a lot of news and releases in the Djent circuit, including the release of Periphery's debut self-titled album, the release of TesseracT's Concealing Fate EP and many other masterpieces of Djentistry of which it would take way too long to list.
Fact of the matter is Djent is here, and it's picking up steam, with many scheduled (and hopeful) releases to come throughout the year. Some of which myself and many others have been anticipating for quite some time, and other nuggets sure to please.
Here's part one of the list of Djentlemen artists and releases that are currently On the Radar for 2011:
N O V A - Invert Theory
Label: Unsigned
Genre: Instrumental Progressive Metal
Release Date: TBD, 2011
A two-member instrumental project out of San Francisco, California, Nova is the spawn of Chazz McConnell (Sol Asunder), and Max Seeman, (Anomalous). Nova is yet another in a long list of interesting instrumental projects to pop out from the woodwork, so to speak. They've released a number of tracks which are available on their MySpace, Soundclick and Bandcamp pages.
The tracks Ley Lines, Temporal and Shard should provide you with a good idea of what you can expect from these guys on their future full-length release. Blending sounds that are both technically strong, mellow and at times, just plain funky.
Volumes - TBD
Label: Mediaskare Records
Genre: Groove Metal / Progressive
Release Date: Summer/Fall 2011
One of my favorite discoveries of 2010, Volumes is a six piece metal outfit out of Los Angeles, California. Grouping together musicians from a variety of backgrounds, they've created a sound which incorporates the intricacies of jazz fusion, the aggressiveness of straight to the core Metal, and everything in between, including the kitchen sink.
Their debut EP The Concept of Dreaming was my second favorite EP of 2010, behind only TesseracT's Concealing Fate, which should attest to how much I enjoy these guys musical capabilities. After finishing up a recent tour, they announced that they will be devoting their time to finishing the recording of their debut full-length album, with a targeted Mid-2011 release, and the simple demand that everyone should get appropriately stoked.
If you haven't yet, check them out, you can get an earful at their MySpace at: http://www.myspace.com/volumes.
Uneven Structure - Februus
Label: Unsigned
Genre: Ambient / Experimental Metal
Release Date: TBD, 2011
Uneven Structure are a six piece outfit with members playing out of France and Sweden. Their debut eight track EP, simply entitled 8, was released in late December 2009, and serves as a great introductory set piece to another very talented group fusing Progressive Metal, djenty goodness and Ambient sounds into a delightful brain massaging experience.
The best part is 8 is available free to downloaded via the groups official website (http://www.unevenstructure.net/), and all eight tracks are also available for streaming on their MySpace page. You'll also notice they uploaded a short preview of their upcoming full-length album Februus, which is definitely worthy of a listen, and will surely convert a few new followers to their cause.
Textures - TBD
Label: Nuclear Blast
Genre: Progressive / Technical Death Metal / Groove Metal
Release Date: Early 2011 (speculated)
Previous Releases: Polars (2003); Drawing Circles (2006); Silhouettes (2008)
Arguably, this group could have easily fit into my future Prog Metal focused post, or any other number of them, but they also just as deservedly fit into this bracket.
Formed in 2001, Textures is a six piece metal band hailing from the Netherlands, with a long history of blending elements of progressive, technical death metal, groove metal and metalcore in their own unique, intricate and complex style. They have a long history of success as a group, showcasing strong performances on all three of their previous full-length releases.
In 2010, longtime frontman Eric Kalsbeek announced that he was leaving the band for personal reasons, wanting to focus on his personal work and family. Because of this, Textures were forced to delay the recording and release of their next album until early 2011. In March 2010, Daniel de Jongh was announced as his replacement.
I was looking forward to Textures fourth release, originally scheduled for last year, but with Eric's leaving the group it obviously added an unfortunate hiccup. I'm still hopeful that the group will be able to push forward with another solid release and look toward the future, so needless to say, Textures next release is still very much on my radar - hopefully sooner than later.
Part II of On the Radar: Here Comes the Djent will be up in the following days and will focus on four of my most anticipated Djent-tastic releases of 2011.
- J
Sunday, January 23, 2011
On the Radar: The Human Abstract
This March is quickly looking to be one of the busiest months of the year in terms of album releases for this coming year.
While March 22nd is looking to be the busiest day of the year in terms of quality and talent being unleashed in the Metalverse, March 8th will also see the return of one particular talented group of musicians and their third full length album, which is sure to exude album of the year potential.
The Human Abstract - Digital Veil
Label: eOne
Genre: Progressive Metal / Metalcore
Release Date: March 8, 2011
Previous Releases: Nocturne (2006); Midheaven (2008)
The Human Abstract are a six member Progressive Metal outfit hailing from Los Angeles, California.
I was originally introduced to THA by a couple friends of mine over two years ago and was greatly impressed with their debut album Nocturne. Their sound was intriguingly unique, with a style incorporating classical technique, powerful riffs and the intricately played, elegant, and melodic guitar solos and sweeps of co-founder, and guitarist A.J. Minette.
In 2008, Minette left THA to pursue his own musical interests outside the realm of metal, leading to the addition of Andrew Tapley to the group prior to recording their sophomore release, Midheaven.
Midheaven was a departure from the original sound of the group and to this day has left many fans split. The departure of Minette and changes to the overall musical style of the group created a second album which had clear differences in focus, in comparison with the powerful debut album Nocturne. Much less heavy than its predecessor, it also did not present the same type of flair that many fans adored from their debut, and were expecting in their follow-up.
Regardless of which side of the fence fans may have found themselves on following the release of Midheaven, there was a piece of news let loose which reunited nearly every fan of the group.
In April of 2010 it was announced that A.J. Minette had officially returned to The Human Abstract, after the band had begun co-writing some new material together in late 2009. This news coincided quite closely with the news that they had found a new vocalist in Travis Richter.
On October 1st, 2010, The Human Abstract released a short video of studio sessions for their next album, Digital Veil. And again on November 12th released a two minute song sampler from the album, which most likely attracted the attention of every THA fan in existence, and every newest fan they've made since. This first song sampler gave an insight into the reinvigorated effort, showing off a sound eerily reminiscent and even more powerful than that of Nocturne.
Since then, The Human Abstract have released two songs to their legion of fans: Faust in mid November and most recently (today actually) Patterns. They announced just last week that they have signed with E1 Music and that Digital Veil will be officially released on March 8th, 2011.
This is a release that I've been anticipating for months, so the announcement of an official release date was more than welcome news - for me and many of my friends, and pretty much every other god damned THA fan on the planet.
The Human Abstract are currently busy being just plain awesome, but will be kicking off the Atticus Metal III tour in support of Darkest Hour and Born of Osiris on February 25th, just a week and a half before Digital Veil crash lands into a stereo near you.
And of course, if you're unfamiliar with The Human Abstract, you can check them out on their MySpace at: http://www.myspace.com/thehumanabstract. Or you track their updates on their Facebook page at: http://www.facebook.com/thehumanabstract, or on Twitter by following @humanabstract.
Last but not least, here's a taste of Digital Veil, in the form of the first single from the album, Faust:
Mark your calendars, because on March 8th, The Human Abstract is back.
- J
While March 22nd is looking to be the busiest day of the year in terms of quality and talent being unleashed in the Metalverse, March 8th will also see the return of one particular talented group of musicians and their third full length album, which is sure to exude album of the year potential.
Courtesy of taylorfoiles.com |
Label: eOne
Genre: Progressive Metal / Metalcore
Release Date: March 8, 2011
Previous Releases: Nocturne (2006); Midheaven (2008)
The Human Abstract are a six member Progressive Metal outfit hailing from Los Angeles, California.
I was originally introduced to THA by a couple friends of mine over two years ago and was greatly impressed with their debut album Nocturne. Their sound was intriguingly unique, with a style incorporating classical technique, powerful riffs and the intricately played, elegant, and melodic guitar solos and sweeps of co-founder, and guitarist A.J. Minette.
In 2008, Minette left THA to pursue his own musical interests outside the realm of metal, leading to the addition of Andrew Tapley to the group prior to recording their sophomore release, Midheaven.
Midheaven was a departure from the original sound of the group and to this day has left many fans split. The departure of Minette and changes to the overall musical style of the group created a second album which had clear differences in focus, in comparison with the powerful debut album Nocturne. Much less heavy than its predecessor, it also did not present the same type of flair that many fans adored from their debut, and were expecting in their follow-up.
Regardless of which side of the fence fans may have found themselves on following the release of Midheaven, there was a piece of news let loose which reunited nearly every fan of the group.
In April of 2010 it was announced that A.J. Minette had officially returned to The Human Abstract, after the band had begun co-writing some new material together in late 2009. This news coincided quite closely with the news that they had found a new vocalist in Travis Richter.
On October 1st, 2010, The Human Abstract released a short video of studio sessions for their next album, Digital Veil. And again on November 12th released a two minute song sampler from the album, which most likely attracted the attention of every THA fan in existence, and every newest fan they've made since. This first song sampler gave an insight into the reinvigorated effort, showing off a sound eerily reminiscent and even more powerful than that of Nocturne.
Since then, The Human Abstract have released two songs to their legion of fans: Faust in mid November and most recently (today actually) Patterns. They announced just last week that they have signed with E1 Music and that Digital Veil will be officially released on March 8th, 2011.
This is a release that I've been anticipating for months, so the announcement of an official release date was more than welcome news - for me and many of my friends, and pretty much every other god damned THA fan on the planet.
The Human Abstract are currently busy being just plain awesome, but will be kicking off the Atticus Metal III tour in support of Darkest Hour and Born of Osiris on February 25th, just a week and a half before Digital Veil crash lands into a stereo near you.
And of course, if you're unfamiliar with The Human Abstract, you can check them out on their MySpace at: http://www.myspace.com/thehumanabstract. Or you track their updates on their Facebook page at: http://www.facebook.com/thehumanabstract, or on Twitter by following @humanabstract.
Last but not least, here's a taste of Digital Veil, in the form of the first single from the album, Faust:
Mark your calendars, because on March 8th, The Human Abstract is back.
- J
Saturday, January 22, 2011
On the Radar: Born of Osiris
Originally this was a post meant to go up about three to four months ago, but for one reason or another I never got around to finishing it. Until now.
I figured what better way to introduce a new type of 'segment' to the Blaarg then to use an original post I had in mind that still holds true to this moment in time. And so the On the Radar segment was born (literally right now with this post).
As I mentioned in my most recent post, On the Radar is meant to showcase upcoming releases by various artists that are on my watch list. A chance to also discuss my favorite artists and others that have piqued my interests.
So let's skip the formalities and get down to business shall we?
Born of Osiris - The Discovery
Label: Sumerian
Genre: Progressive Death Metal / Metalcore
Release Date: March 22, 2011
Previous Releases: The New Reign (2007);
A Higher Place (2009)
Formerly performing under the name of Rosecrance, among others, Born of Osiris are a six piece metal outfit based out of Chicago IL.
I originally discovered BoO in 2008 and caught them for the first time live, when they were in Ottawa in January of 2009, on tour with Unearth - as you can guess, it was an awesome night.
Born of Osiris is a group that has always fused elements of progressive and technical death metal, together with metalcore to create a sound relatively unique to themselves. The evolution of their sound from their debut album, The New Reign to their sophomore album, A Higher Place was truly spectacular.
Where a near omnipresent focus on polyrhythms and breakdowns, with timely synth interludes, and strong growls on the part of Ronnie Canizaro was present in The New Reign, their second album turned the technical gauge up to a new level. Joe Buras' presence on keys and backing vocals was much more prominent, adding just the right type of ambiance to an album chock full of elegant guitar work and drumming. The subtlety between Ronnie's mid-range growls and Joe's screams made for an improved and strong vocal quality, rounding out the improved sound of the group.
In early 2010, BoO announced that they were going to begin recording their third full length album. But they also broke news of working on a three track EP to be recorded and produced by Misha Mansoor of Periphery, which was to be released in late 2010 - or so the rumors went. So for a while there was confusion, until a teaser track was released in August showcasing sections of three new tracks.
A slew of live footage of BoO performing new material while on tour in 2010 is available all over the net, particularly that of the track Wheaton (third track on the teaser embedded below).
My initial reaction to the teaser was that this album is going to easily rank within my favorites for 2011. The guitar work once again sounds a step-up and improved, incorporating the range of 7-string guitars. Cameron Losch's drumming is looking to be just as proficient and superb as always, and the overall transition work also looks to make The Discovery one of the better albums of the year to come.
If you're a fan of their earlier work, then you should be sure to jot down The Discovery on your list of must haves for 2011. Born of Osiris will once again prove why they are one of the staple groups in Sumerian's stable of excellent artists on March 22nd - a busy day in the Metalverse, as will be evidence in some of my future On the Radar posts.
Born of Osiris is currently on tour in Europe and will be co-headlining the Atticus Metal III tour with Darkest Hour starting February 25th. Rounding out the lineup will be As Blood Runs Black, The Human Asbtract and guest appearances by Sleeping Giant, In the Midst of Lions and This of the Apocalypse.
In the meantime you can check out Born of Osiris on their MySpace at: http://www.myspace.com/bornofosiris.
And as mentioned above, here's that short three track teaser posted back in August.
- J
I figured what better way to introduce a new type of 'segment' to the Blaarg then to use an original post I had in mind that still holds true to this moment in time. And so the On the Radar segment was born (literally right now with this post).
As I mentioned in my most recent post, On the Radar is meant to showcase upcoming releases by various artists that are on my watch list. A chance to also discuss my favorite artists and others that have piqued my interests.
So let's skip the formalities and get down to business shall we?
Born of Osiris - The Discovery
Label: Sumerian
Genre: Progressive Death Metal / Metalcore
Release Date: March 22, 2011
Previous Releases: The New Reign (2007);
A Higher Place (2009)
Formerly performing under the name of Rosecrance, among others, Born of Osiris are a six piece metal outfit based out of Chicago IL.
I originally discovered BoO in 2008 and caught them for the first time live, when they were in Ottawa in January of 2009, on tour with Unearth - as you can guess, it was an awesome night.
Born of Osiris is a group that has always fused elements of progressive and technical death metal, together with metalcore to create a sound relatively unique to themselves. The evolution of their sound from their debut album, The New Reign to their sophomore album, A Higher Place was truly spectacular.
Where a near omnipresent focus on polyrhythms and breakdowns, with timely synth interludes, and strong growls on the part of Ronnie Canizaro was present in The New Reign, their second album turned the technical gauge up to a new level. Joe Buras' presence on keys and backing vocals was much more prominent, adding just the right type of ambiance to an album chock full of elegant guitar work and drumming. The subtlety between Ronnie's mid-range growls and Joe's screams made for an improved and strong vocal quality, rounding out the improved sound of the group.
In early 2010, BoO announced that they were going to begin recording their third full length album. But they also broke news of working on a three track EP to be recorded and produced by Misha Mansoor of Periphery, which was to be released in late 2010 - or so the rumors went. So for a while there was confusion, until a teaser track was released in August showcasing sections of three new tracks.
A slew of live footage of BoO performing new material while on tour in 2010 is available all over the net, particularly that of the track Wheaton (third track on the teaser embedded below).
My initial reaction to the teaser was that this album is going to easily rank within my favorites for 2011. The guitar work once again sounds a step-up and improved, incorporating the range of 7-string guitars. Cameron Losch's drumming is looking to be just as proficient and superb as always, and the overall transition work also looks to make The Discovery one of the better albums of the year to come.
If you're a fan of their earlier work, then you should be sure to jot down The Discovery on your list of must haves for 2011. Born of Osiris will once again prove why they are one of the staple groups in Sumerian's stable of excellent artists on March 22nd - a busy day in the Metalverse, as will be evidence in some of my future On the Radar posts.
Born of Osiris is currently on tour in Europe and will be co-headlining the Atticus Metal III tour with Darkest Hour starting February 25th. Rounding out the lineup will be As Blood Runs Black, The Human Asbtract and guest appearances by Sleeping Giant, In the Midst of Lions and This of the Apocalypse.
In the meantime you can check out Born of Osiris on their MySpace at: http://www.myspace.com/bornofosiris.
And as mentioned above, here's that short three track teaser posted back in August.
- J
The Flood: Keep An Eye On the Radar
Seems like it's becoming a trend for me to make a post every 20 days or so to emphasize how little content has been coming through onto the Blaarg.
And that would be pretty accurate seeing as how since November I've only managed to scribble down a few posts, including one about time moving at Ludicrous Speed and a Happy Festivus wish laced with the Wrath of Khan.
In between those, I did managed to crank out a post worth about three times its weight in posts, that being My Musical Faves for 2010, and my most recent post a couple weeks ago reviewing Exoplanet by The Contortionist.
I promised a few weeks back that some new garbage would hit the Blaarg in the coming weeks - well that time has arrived. I'm in the process of working on a new installment to the Blaarg, one that spawned off of a post that I never finished from a few months ago, featuring a specific group.
The new 'segment' I'll be introducing very shortly will be entitled On the Radar. The thought behind it is about as self-explanatory as the title itself: it's to showcase upcoming releases by various artists that are on my watch list.
I have quite a few of these in progress right now, so plenty of fresh content is incoming. Some will feature specific artists/groups, others will focus on a specific genre or sub-genre; all with releases that I'm either hotly anticipating, or have an interest in hearing the final outcome.
In tune with my random music inspired posts and my sporadic reviews, it also gives me a chance to discuss some of my favorite artists. It also allows me to showcase some artists that people may not be familiar with, or may want to keep an ear to the ground for in the future, depending on their respective tastes.
Mostly it gives me a euphoria inspired headache by just having to consider how much awesome shit there is to keep an ear out for in 2011.
The first few installments of On the Radar will be going up over the course of the weekend and week to come.
- J
And that would be pretty accurate seeing as how since November I've only managed to scribble down a few posts, including one about time moving at Ludicrous Speed and a Happy Festivus wish laced with the Wrath of Khan.
In between those, I did managed to crank out a post worth about three times its weight in posts, that being My Musical Faves for 2010, and my most recent post a couple weeks ago reviewing Exoplanet by The Contortionist.
I promised a few weeks back that some new garbage would hit the Blaarg in the coming weeks - well that time has arrived. I'm in the process of working on a new installment to the Blaarg, one that spawned off of a post that I never finished from a few months ago, featuring a specific group.
The new 'segment' I'll be introducing very shortly will be entitled On the Radar. The thought behind it is about as self-explanatory as the title itself: it's to showcase upcoming releases by various artists that are on my watch list.
I have quite a few of these in progress right now, so plenty of fresh content is incoming. Some will feature specific artists/groups, others will focus on a specific genre or sub-genre; all with releases that I'm either hotly anticipating, or have an interest in hearing the final outcome.
In tune with my random music inspired posts and my sporadic reviews, it also gives me a chance to discuss some of my favorite artists. It also allows me to showcase some artists that people may not be familiar with, or may want to keep an ear to the ground for in the future, depending on their respective tastes.
Mostly it gives me a euphoria inspired headache by just having to consider how much awesome shit there is to keep an ear out for in 2011.
The first few installments of On the Radar will be going up over the course of the weekend and week to come.
- J
Thursday, January 6, 2011
The Contortionist: Review
The Contortionist - Exoplanet
Grade: 5 - No gymnastic feats, but feats nonetheless
Label: Good Fight Entertainment
Genre: Progressive Death Metal
Release Date: August 31, 2010
Site(s): http://www.myspace.com/thecontortionistband
High Points: Great blending of styles gives a unique vibe to each track.
Low Point: The fact that I missed this album in 2010.
My first contact with The Contortionist was when a friend of mine showed me their second EP, entitled Apparition, back in 2009. The seven track EP was quite the surprise and flooded my ear canals for quite some time.
Which is why I feel like a real turd burglar for having missed out on the fact that their debut album Exoplanet actually dropped this past August. Had I known this a couple weeks ago, it would have easily graced the top echelons of my Top 10 in 2010. So I figured the only way I could repent for this obvious sin was to throw up some sort of a Review of the album.
The Contortionist blend together core, death metal, progressive-jazz fusion and djenty goodness into something that when done incorrectly, you would expect to be an incoherent mishmash of discordance. The Contortionist however is yet another band that manages to blend each style together in ways that provide a unique sound experience from one track to the next. You'll find graceful melodies, technical fretwork, djentarific riffs, breakdowns and the kitchen sink.
While you'd expect non-stop face crushing destruction from how many of their tracks begin, you get treated to a wide range of transitions, from chuggy, meaty, bone crushing riffs, to melodic interludes with clean and pleasant vocals. The most important aspect of any group seeking to transition from one sound and style to the next is being able to do it seamlessly, a trait that The Contortionist clearly has down.
People familiar with The Contortionist prior to Exoplanet will recognize some familiarities and the return of the track Oscillator from the Apparition EP.
Stand-out tracks for me include the two opening tracks, Primal Directive and Flourish as well as track five, Advent. But I'm still acclimating myself to the overall awesomeness of the album to be able to say that any of the tracks truly destroy another - I'd rather just say the album destroys shit on it's own.
I'm not sure whether I should be more mad at the fact I didn't catch this album earlier in the year, or that none of my friends did either. Unless they didn't tell me... Fucking conspiracy!
Regardless I did come across a fine nugget of good news, in that The Contortionist will be playing in Ottawa in February - which I also only found out about, right now.
You can check out The Contortionist on their myspace, as linked above. Or better yet you can catch them on tour in a foxhole near you.
The Contortionist will be sharing the stage with Within the Ruins, Suffokate and Last Chance to Reason on February 17th at the Alexander CC in Ottawa.
And of course, a small parting gift, in the form of some Primal Directive:
- J
Grade: 5 - No gymnastic feats, but feats nonetheless
Label: Good Fight Entertainment
Genre: Progressive Death Metal
Release Date: August 31, 2010
Site(s): http://www.myspace.com/thecontortionistband
High Points: Great blending of styles gives a unique vibe to each track.
Low Point: The fact that I missed this album in 2010.
My first contact with The Contortionist was when a friend of mine showed me their second EP, entitled Apparition, back in 2009. The seven track EP was quite the surprise and flooded my ear canals for quite some time.
Which is why I feel like a real turd burglar for having missed out on the fact that their debut album Exoplanet actually dropped this past August. Had I known this a couple weeks ago, it would have easily graced the top echelons of my Top 10 in 2010. So I figured the only way I could repent for this obvious sin was to throw up some sort of a Review of the album.
The Contortionist blend together core, death metal, progressive-jazz fusion and djenty goodness into something that when done incorrectly, you would expect to be an incoherent mishmash of discordance. The Contortionist however is yet another band that manages to blend each style together in ways that provide a unique sound experience from one track to the next. You'll find graceful melodies, technical fretwork, djentarific riffs, breakdowns and the kitchen sink.
While you'd expect non-stop face crushing destruction from how many of their tracks begin, you get treated to a wide range of transitions, from chuggy, meaty, bone crushing riffs, to melodic interludes with clean and pleasant vocals. The most important aspect of any group seeking to transition from one sound and style to the next is being able to do it seamlessly, a trait that The Contortionist clearly has down.
People familiar with The Contortionist prior to Exoplanet will recognize some familiarities and the return of the track Oscillator from the Apparition EP.
Stand-out tracks for me include the two opening tracks, Primal Directive and Flourish as well as track five, Advent. But I'm still acclimating myself to the overall awesomeness of the album to be able to say that any of the tracks truly destroy another - I'd rather just say the album destroys shit on it's own.
I'm not sure whether I should be more mad at the fact I didn't catch this album earlier in the year, or that none of my friends did either. Unless they didn't tell me... Fucking conspiracy!
Regardless I did come across a fine nugget of good news, in that The Contortionist will be playing in Ottawa in February - which I also only found out about, right now.
You can check out The Contortionist on their myspace, as linked above. Or better yet you can catch them on tour in a foxhole near you.
The Contortionist will be sharing the stage with Within the Ruins, Suffokate and Last Chance to Reason on February 17th at the Alexander CC in Ottawa.
And of course, a small parting gift, in the form of some Primal Directive:
- J
Tuesday, January 4, 2011
Time: Accelerating to Ludicrous Speed
So it's officially been the new year for all of four days now and I'm still trying to wrap my head around the fact that it's actually fucking 2011 already.
I don't know about you, but time is a cruel mistress, the cruelest mistress. And I'm not sure why, but apparently mistresses are quite cruel. Jokes aside, the last year flew by at a pretty alarming rate, and much to my chagrin because I didn't get to enjoy most of it.
When you look at how we perceive time, as we get older it just tends to go by faster and faster, with no indication of coming to a plateau at any point.
It's in that sense that it's kind of a raw deal that the the slowest years of our lives are basically deadlocked, from when we're born to about the age of 18-21 years old. What I mean is that first stretch sees us locked away in school, learning life's first lessons and so forth; once we finally get passed all the frivolities of being dumb kids, time turns up the accelerator. That's when life is supposed to get good, and busy - but you're left with the feeling that you're missing out on the time to really enjoy all of it.
It's said that our perception of time between the ages of 21-22 years old and the age of 60 is about the equivalent of the first 18 years of our life. Pretty easy to do the math and see that those latter 40 years go by two times faster than the first leg of our lives.
2011 is supposed to be a milestone year for me, more or less. This Spring/Summer I'll finally have graduated from University, I should be starting my career full-time and who knows what the heck else. Whether all that actually happens remains to be seen, but I can tell you one thing: it's going to happen really fucking fast.
I have the feeling this this year will be the fastest, longest year of my life, and that kind of sucks. My winter semester last year went by blazingly quick and this fall went by equally so. Worse than those two was the fact that my summer months, spent working full-time during the week seemed to go by faster than both combined. So when I say 2010 went by quickly, I start to wonder how fast this year will actually go by.
I'm not really one for New Years Resolutions, I've had the same 'resolution' for the past 5 years: don't die. Pretty simple. But I suppose if there's anything I should resolve to do, it's to try and enjoy this year more, if at all possible.
Last year was a pretty solid year. I got a lot done, accomplished things and grew as an individual, more so than in recent memory. 2011 is definitely on an upward trend, something I'm not used to, so I'll be trying to keep that trend on the up-and-up, rather than letting life's insignificant bullshit drag me down.
Here's to a better year than last year. Same goes for the rest of you classy individuals.
- J
I don't know about you, but time is a cruel mistress, the cruelest mistress. And I'm not sure why, but apparently mistresses are quite cruel. Jokes aside, the last year flew by at a pretty alarming rate, and much to my chagrin because I didn't get to enjoy most of it.
When you look at how we perceive time, as we get older it just tends to go by faster and faster, with no indication of coming to a plateau at any point.
It's in that sense that it's kind of a raw deal that the the slowest years of our lives are basically deadlocked, from when we're born to about the age of 18-21 years old. What I mean is that first stretch sees us locked away in school, learning life's first lessons and so forth; once we finally get passed all the frivolities of being dumb kids, time turns up the accelerator. That's when life is supposed to get good, and busy - but you're left with the feeling that you're missing out on the time to really enjoy all of it.
It's said that our perception of time between the ages of 21-22 years old and the age of 60 is about the equivalent of the first 18 years of our life. Pretty easy to do the math and see that those latter 40 years go by two times faster than the first leg of our lives.
2011 is supposed to be a milestone year for me, more or less. This Spring/Summer I'll finally have graduated from University, I should be starting my career full-time and who knows what the heck else. Whether all that actually happens remains to be seen, but I can tell you one thing: it's going to happen really fucking fast.
I have the feeling this this year will be the fastest, longest year of my life, and that kind of sucks. My winter semester last year went by blazingly quick and this fall went by equally so. Worse than those two was the fact that my summer months, spent working full-time during the week seemed to go by faster than both combined. So when I say 2010 went by quickly, I start to wonder how fast this year will actually go by.
I'm not really one for New Years Resolutions, I've had the same 'resolution' for the past 5 years: don't die. Pretty simple. But I suppose if there's anything I should resolve to do, it's to try and enjoy this year more, if at all possible.
Last year was a pretty solid year. I got a lot done, accomplished things and grew as an individual, more so than in recent memory. 2011 is definitely on an upward trend, something I'm not used to, so I'll be trying to keep that trend on the up-and-up, rather than letting life's insignificant bullshit drag me down.
Here's to a better year than last year. Same goes for the rest of you classy individuals.
- J
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